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A third book, Run the Red Lights, will be published this fall. SALON SKID ROW PRESENTS 2 MARCH 15 SALON SKID ROW SW ALDER This is a very special international edition of the weekly reading series. And it changes a lot. When I studied undergrad at the University of Montana, it was a pretty traditional program with an emphasis on abstract expressionist painting, ceramics and pottery but I just remember being so compelled by large-scale color photography and video work. Stacey Tran, Hajara Quinn and Sophie Linden will also be reading at the event. But when you come to your studio arts, instead of film, or sculpture, or graphic design, you would be working on writing. Before I started writing, I studied art history and painting. I think that painting was incredibly satisfying, but writing, to me, is more directly communicative. But there is an art in it. We have to make that room. MD: I really love writing short stories, and some of these reach way back in my history. Monica Drake has won both an Eric Hoffer award and an IPPY award for storytelling for her novel Clown Girl. It was a wonderful exercise to pull out stories and think of how they relate to each other, and build a world in pieces. In my second novel, Stud Book there are seven points of view. I feel like as I get older I increasingly realize what a unique experience it was being the youngest of ten kids and growing up on a farm that was like a lawless land. With The Folly of Loving Life, Monica creates a humorous, yet poignant version of the old Portland, with its gritty charm. In the end I think it has a lot of underpainting, to use a visual arts term. In some ways, this may or may not be the pivotal moments of these characters' lives. So you will have an art foundation— design and drawing and art history. With that burn on her arm she is kind of branded by that crummy job. ortland photographer Holly Andres takes us back to explore the wonderment of childhood imagination through her beautifully crafted cinematic photography. When her life gets worse, and the ground begins falling out from under her feet, all she can think to do is to work out another act. In particular, the compositions of my photos and the ways that formal elements like color, texture, pattern and light interact come from my knowledge in painting. In as little as a single frame an entire story unfolds. I think all those layer show through. ELEVEN sat down with her to discuss her brand new book, her writing style, and the fine art of creating art with the written word. So I can contain the place, and let the movement be through time. You mentioned Carver, that kind of compression. It would be a mistake to read them as memoir. Dallat and Anne-Marie Fyfe. When designing the program, that was a big part of what I wanted to assert. com MD: I would say all of these stories are both me and not me. So in some ways it is a collection of stories that are merged enough to be a novel. MD: Well, stories are all about compression. My childhood memories offer me a fertile buffet that I always find myself returning to for ideas for my photographic work.{/INSERTKEYS}{/PARAGRAPH} Because there are multiple points of view, you can justify jumping around in time and place for each character. The majority of this book is written more recently. So I set the program up to have the foundation classes as visual arts classes. When I am looking through the camera I often times look in the way that 27 ELEVEN PORTLAND www. Demon" follows the older sister Vanessa as she pursues an attractive stranger, her Pilgrim, while he constantly runs into ex-wives on the street. I think that because he was just trying to get off the ground, having people that stuck around and took his classes helped generate steam for what he was doing, and at the same time he helped us all pick up our speed as writers. But I worked at Burger King. I think that while cinema is so powerful and so captivating and can stimulate so many more of your senses through editing, movement, layering sound and dialog, there is something so rich about a single image and having to contend with nothing but your own heart beating when P you look at it. Or they may not seem as the largest moments. POPULAR NOSH Lardo - SE Hawthorne Blvd 8. I studied with Tom Spanbauer when he first started teaching classes here, about That was a turning point for me. Recent ELEVEN featured artist Ed Skoog is the author of two books of poetry, Mister Skylight and Rough Day, both published by Copper Canyon Press. How is that different from writing a novel? Compressing the things around a moment. MD: My idea of a clown was based on Charlie Chaplin, a very toned down visual image of a clown. It was the idea of the struggling underdog with small but determined aspirations, who is kind of run over by life. Can you tell me about your program? She is lead faculty in the writing program at Pacific Northwest College of Art, where she has recently created a unique program that merges the visual arts with writing. {PARAGRAPH}{INSERTKEYS}Analog Cafe - SE Hawthorne Blvd 5. In "See You Later Fry-O-Lator," the younger sister Lu toils in a menial job at a burger joint and is literally branded by deep frying machine. How important is humor in your stories? Holly Andres: My undergrad is in painting and drawing, and I still think that my foundation in painting really informs my photographic process. Andres has had solo exhibitions of her work shown from Portland to New York as well as internationally, and has been featured in The New York Times Magazine, Time, Art in America, and many others. com ELEVEN PORTLAND 26 community visual arts a painter might look at a canvas. MD: We have to keep room. She finds some redemption with a boy suffering through a similar job. THE KIDS CAN SHRED School of Rock - SE Hawthorne Blvd FOOD IN THE HOOD Blackbird Pizza - SE Hawthorne Blvd www. When you write a novel, you have to start some place and end some place, and fill out all the places in between. These are not the weddings and the traditional celebrations. Even the men and the women and the children. com You are from a very large family; how does that experience influence all of your work? It enriches the humanity of that job. It is a compressed period of time. I think that this collection of linked stories speaks to that change. The viewer is invited to participate in the adventure of characters meshed deep inside a transformative journey from childhood to adulthood. Most of my writing, actually, is kind of speaking back to Portland. ELEMENTS OF LAUGHTER Helium Comedy Club - SE 9th Ave 6. It is a BFA that joins writing and art. After graduate school, I studied at the Northwest Film Center and I think it was there Photo by Mercy McNab VISUAL ARTS Portland photographer Holly Andres that I became really interested in the possibility of telling a story through a single frame. community literary arts What advice would you have for the aspiring writers in this city? How is that different from writing a full narrative of a novel? The taco stands, the dive bars, the hangover juice carts, the stale beer can recycling center. GOING LEBAN-EASY Riyadhs - SE Hawthorne Blvd 9. Monica Drake: This collection is all based on Portland, and it kind of sprawls out east, to the base of Mt Hood. I think things like "Fry-O-Lator" are funny, the word is just inherently funny. MD: A lot of my writing is funny to me. Can you tell me more about that process? The comedy comes from persistence. Hartman Fine Art Gallery in late March through May. It was just paying Tom some money to join his group at home. These are the small moments that illuminate a life. com ELEVEN PORTLAND 24 community literary arts ELEVEN: All of your stories seem to be Portlandcentric. He will be joined by two Irish poets now living and working in London, C. We have to keep asserting that room. MD: I teach down at the Pacific Northwest College of Art, PNCA. How much of the flavor of this town inspires your writing? ELEVEN: What made you want to transition from painting to photography? The characters grow with the city, and are affected by the infill and gentrification going on around them and forcing them into the bland suburbs. Clown Girl was moment to moment, day by day. The story "S. TALL DRINKS The High Dive - SE 12th Ave 7. This collection of intertwined short stories portray a family over time, mainly two sisters who engage in the perverse persistence we call folly.